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Mindy Yan Miller
drop out, Coca-Cola cans, 2001
Constructed entirely out of Coke cans Drop Out evokes 60's counter-culture,
its re-emergence and its complex relationship to capitalism, drawing on Miller's
interest in historically 'progressive' but failed ideologies and issues revolving
around loss and community.
"drop out, and its related coke-dump, sets up this transformation in the form of a
reversal of needs: it is not the caffeine-laden, chemical sugar water that is desired
but the emptied cans. The aesthetic use of the Coke cans to display peace and love signs
pre-empts the marketed drive to consume. drop out protests "the real thing" in service of
real things: peace and love."
-Susie Major
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Image: coke pour, 1999-2001 Video Stills Minday Yan Miller
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Image:Component, 2001
Christy Thompson
Photo: Courtesy of artist
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Betsy Coulter and Christy Thompson
Toggle Wand, installation, 2001
Toggle Wand is a collaborative installation which re-examines everyday objects to create an environment unto itself. From a decoy deer to cast foam pustules, Coulter and Thompson collectively point towards a hybridized situation which is entirely familiar and foreign at the same time. The process of organizing a collection of altered objects situates Toggle Wand as something between the contents of a surplus store and
discarded props.
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Image: Confidence Decoy#4, 2001
Betsy Coulter
Photo: Fraser Stables
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Julie Andreyev
TV Disasters
Julie Andreyev questions the construction of media and television
images of natural and man-made 'disasters', relating their depiction to
popular movies by emphasizing a regard for aesthetic form and entertainment.
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Images:TV Disasters, 2000
video still
Julie Andreyev
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Miranda July
Artist Talk
Wednesday, October 10, 7pm, Free
Location: Cinecycle, 129 Spadina Ave (down the lane)
A co-presentation by Mercer Union and PleasureDome
Wednesday, October 10, 2001, 7 pm
Location: Cinecycle, 129 Spadina Ave. (down the alley)
Admission is free
In 1995, July founded an underground movie distribution network so that
women and girls could see each otheršs work. She calls it Joanie 4
Jackie. It is currently screening and distributing over 100 films and
videos and receiving more every day. Every woman who sends her short
film or video to Joanie 4 Jackie receives a chainletter tape in the
mail. July will discuss this ongoing project, and with a little help
from the audience she will spin the propeller of hope.
Screening
Learning to Love You More: Videos by Mirandy July
A co-presentation by Mercer Union, PleasureDome and Artcite/House of Toast
Friday October 12, 10pm
Location: Latvian House, 491 College St.
Miranda July will talk about how life has been for her so far with
particular emphasis on performance, movie making, Oregon, and love. July
will be present to introduce her works and answer questions. Miranda
July is a Portland-based multi-media performer, video and recording
artist whose work has reverberated at festivals and media art venues
around the world since completing her first work in 1996. This program
will feature her four collected works to date: Atlanta (10 minutes,
1996), The Amateurist (14 minutes, 1998), Nest of Tens (27 minutes,
1999) and Getting Stronger Every Day (6:30 minutes, 2001).
Presented with Tranz < --- > Tech: the Toronto International Video Art
Biennial
Miranda July will also be participating in the Tranz < --- > Tech Artist Talk and Symposium
Escaping The Vacuum: New Means and New Tools for a New Breed of Video Artists
Sunday, October 14, 1pm
Location: The Steam Whistle Brewery at the Roundhouse
Tranz < --- > Tech: the Toronto International Video Art
Biennial
October 11-14, 2001
Visit www.tranztech.ca for schedule
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