Mercer Union

    Programming

    1997-98

    2000-01 Exhibitions
    1999-00 Exhibitions
    1998-99 Exhibitions
    1996-97 Exhibitions
    1979-95 Archive


     
    Sept 11 - Nov 1, 1997


    main gallery Eliza Griffiths , Karate Girls and Protégés
    project room Nora Noranjo-Morse , Destabilized Landscape: Post-Colonial Space and Unreal Estate. Curated by Lisa Steele and Kim Tomczak concurrently presented at the Art gallery of Ontario
    windows Alfred Engerer , Gestating Future

     
    Oct 4, 1997 2:30 - 5 pmSprawl Symposium
    Metro Hall, 3rd Floor

     
    Nov 6 - Dec 20, 1997


    main gallery + windowsRoss Sinclair
    project room Spider sense 1, featuring Tom Bendtsen

     
    Jan 8 - Feb 14, 1998


    main galleryPhilip Grauer, Baby Pictures
    project roomSpider sense 2 , Featuring Sylvia Ptak
    windowsAndrew Harwood , Janitor Cologne

     
    Feb 19 - March 28, 1998


    main gallery Nancy Davenport
    project roomSpider sense 3 , Featuring Murray Favro
    windowsDavid Bobier

     
    April 2 - May 9, 1998


    main galleryLuanne Martineau
    project roomSpider sense 4, Featuring Barry Isenor
    windowsDonna Brunsdale

     
    May 14 - June 20, 1998


    main galleryLisa Deanne Smith, Bruce La Bruce, David Grenier
    project roomSpider sense 5, Featuring Juliet Palmer
    windowsIngrid Chu

     
    June 25 - August 1, 1998


    main galleryJohn Dickson
    project roomSpider sense 6, Featuring Penelope Stewart
    windowsJohn Marriott
    
    
    Main Gallery exhibitions may originate from unsolicited proposals or through guest curators. Alternatively artists may be contacted to address a specific area of interest or a board member may propose a particular exhibition to add direction and focus to the overall program.

    Project Room is situated as a "curatorial laboratory". This program is designed to promote the development of creative new models of critical expression which probe issues relevant to current artistic practices.

    Windows encourages artists to create site-specific works for this street level venue. Through this series the centre will be addressing notions of site-specific tendencies as well as promoting contemporary issues to a broader viewing public.

    
       
    
    Top image: Bill Crane,
    detail of Trace Elements,
    1996, mixed media.
    Photo by the artist


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